ChicagoForward: Do Chicagoans Embrace the Arts Scene?
+ The Livable City: It was the general consensus than Chicago holds a strong appeal for young artists starting out because it is an affordable, livable city. I would agree with this idea considering I used to live in NYC & moved to Chicago specifically due to the affordability of theatre tickets/life as a whole. The flip-side of that coin is Chicago’s notoriously frigid winters, which was generally acknowledged as a difficulty in both the production of art & its’ accessibility to the public.
+ Crime & The Arts: The problem of crime in Chicago could not be ignored in this conversation & was discussed with a hopeful, though frustrated, attitude. Michelle T. Boone cited Steppenwolf’s production of How Long Will I Cry?: Voices of Youth Violence as an example of art attacking violence. Each production also offers a talk-back session as an avenue for conversation. The ambitious (though slightly idealistic) goal is that kids will put down the weapons & pick up a pen; if any company has the smarts to have such a strong effect, it is Steppenwolf.
+ Greenery: The issue of applying environmental innovations to the arts was a topic that held a particular emphasis in the architecture & culinary aspects of the talk. Jeanne Gang cited the main architecture trends as going more green, material research to cut out waste, tactical urban design through community gardens, & reclaiming the vast paved areas for pedestrians rather than cars (an idea which has been implemented in Times Square & is one of my favorite places to hang out in New York). She also emphasized the importance of one’s knowledge of their materials (using concrete as an example: we think of concrete as impenetrable but it’s actually a very fluid, malleable substance). Rick Bayless conveyed a similar mentality regarding agricultural excellence & it's being application chefs. His reasoning was based on the idea that quality ingredients allow the food to shine in a more simple presentation. On a completely unrelated note, Rick Bayless & I were at the same performance of ATC’s awesome production of RENT last year. So, I respect his opinion on both food AND theatre.
+ Education: Tony Fitzpatrick was especially passionate about the impact that education has & will continue to have on the arts. My favorite moment during the panel's conversation was his statement: “my biggest worry is the poverty of imagination.” To apply his passion for education in a tangible way, Fitzpatrick enlists interns to educate & enrich [all of whom have gone on to arts-related employment]. He implored his fellow leaders of the artistic community to give back by becoming mentors, which I think is a great & accessible way to invest in the future of one’s particular art.
+ Education: Tony Fitzpatrick was especially passionate about the impact that education has & will continue to have on the arts. My favorite moment during the panel's conversation was his statement: “my biggest worry is the poverty of imagination.” To apply his passion for education in a tangible way, Fitzpatrick enlists interns to educate & enrich [all of whom have gone on to arts-related employment]. He implored his fellow leaders of the artistic community to give back by becoming mentors, which I think is a great & accessible way to invest in the future of one’s particular art.
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